What makes a store more than a store?  What makes a breakthrough brand experience at retail?

These are questions that companies with brick and mortar assets wrestle with as they continue to lose share to online competitors or to those with mobile capabilities (smart phone-enabled mobile commerce as well as IRL roving mobile units and other non-traditional formats).  I’ve been tackling these questions through the last six months as I’ve audited over a dozen new and interesting retail and restaurant concepts.

I’ve been cataloguing my insights from my audits in a series of Brand Experience Briefs.  As I survey my reports so far, I find that the concepts which create memorable brand experiences in their stores have some things in common.  Here are nine criteria of breakthrough brand experiences:

1. a clear and compelling brand story and/or brand promise that’s brought to life. Stores need to embody the essence of the brand and make their differentiation and value clear and compelling.  The brand history and values are conveyed clearly in the design, signage, and lounge area at Patagonia’s Tin Shed store, while The Habit Burger Grill restaurant fails to express a distinctive brand platform or attributes.

brand mural in Patagonia's Tin Shed store

2. target appropriateness.  We’re all attracted to people who are clear about who they are. We respond naturally to their self-confidence. Brands are no different. Brands with integrity and clarity are attractive because they don’t try to be all things to all people or to be something they’re not.  The 77Kids NYC Style Lab is a great example. Everything about the store is targeted squarely to fun-loving kids.  Subway Café, on the other hand, aspires to offer an upscale coffeehouse ambience but that’s not what its customers want, and it doesn’t execute on the concept very well.

3. brand-right assortment.  Some of the strongest concepts are filled with tens of thousands of SKUs, while others offer very tailored assortments.  There’s no single “right” assortment size or scope – it really depends on the brand strategy.  Central Market aims to be a place for foodies, so it makes sense for the store to feature over 700 types of hand-cut cheeses.  Starbucks’s new concept stores use local wines and beers to convey the personal, intimate attributes that the company desires for its brand.

4. interactivity.  Although emerging technology has enabled websites to become more entertaining and engaging, brick and mortar still has the upper hand on interactivity. And the concepts that breakthrough are those that use interactivity to make the shopping experience unique, exciting, and memorable. The LEGO store stands out with features like its Pick-a-Brick wall for kids to dig their hands into cubby holes filled with LEGOs of all different shapes and colors.  However the Walmart.com store misses important interactive opportunities since many products were not available to try or play with.

Pick-a-Brick wall at the LEGO store

5. overt promotion of product quality.  Retailers should stage experiences and use store signage and displays to promote the quality of their products.  The REI store in SOHO sets the standard for this with its areas that enable customers to try products (like an incline walkway in the hiking boot area); Uniqlo uses eye-catching signage to highlight features of its products; and messages about product freshness are sprinkled throughout the Pie-o-logy location.  Steak n’ Shake Signature could learn from these examples, since they have great burgers and shakes but haven’t figured out how best to merchandise and present them.

6. passionate and well-trained employees. Staff who are disengaged (employees at the Walmart.com store seem more interested in figuring out the products themselves than in interacting with customers) or clueless (an order-taker at Subway Café doesn’t know the menu) detract from the experience and damage any hope of brand integrity.

7. distinctive design and décor.  The most memorable brand experiences use design and décor to create a sense of place.  They take a fresh approach to layout and architecture to create a brand world of sorts, they employ interesting materials for surfaces and fixtures to appeal to all the senses, and they use details and decorations to express the brand personality.  REI integrates the historic features of its unique location (the historic Puck building) with digital signage and other contemporary design elements, while Pie-o-logy created its distinctive environment, including mod furnishings and a wall of fun quotes, from the ground up.

Pie-o-logy's distinctive design and decor

8. attention to detail.  The devil is in the details when it comes to retail brand experiences.  Details like Starbucks’s hand-written welcome message incorporating its wi-fi service communicate volumes – so do the plastic utensils at ihop express and the drab dressing rooms at Uniqlo.  Breakthrough retailers sweat the small stuff.

9. extension beyond the four walls.  Retailers that extend their brand experience outside their store make a bigger impact and create longer-lasting relationships with their customers.  A couple of examples:  REI’s active involvement in its community through service projects provides authenticity and personal engagement; the content in Uniqlo’s magalog connects people to its brand attributes and values.

Uniqlo's matalog

I’d love to hear your feedback.  What other criteria contribute to breakthrough brand experiences?  What new and interesting restaurant and retail concepts should we take a look at?  Comments are open!

Also if you and your team need to re-think your brand experience, sign up for a Brand Experience Day.  We’ll head out into the field to experience concepts like these, and then regroup to identify and apply the new insights to your business.  Learn more.

related posts:

• would you like a coffee with that wi-fi
• 12 truths to guide retailing in 2012
• six best practices in retail

BurgerKing, Volvo, Coke, LEGO, and ShoeDazzle were some of the brands in my recent conversations.  Peruse this recap of my content this month to see what you might have missed:

brand-building:

• What a Strong Brand Does for a Small Business — my OPEN Forum column on why small businesses should invest in brand-building from the start
• Has ShoeDazzle Lost Its Dazzle?  — a POV on ShoeDazzle’s move away from its subscription model
• Basketball Teams and Brands – a bit on what brand-builders can learn from Josh Harris’s moves to rejuvenate the 76ers

business and innovation:

• Once Upon a Company – a guest post of mine on the upMover blog about the internal power of storytelling
• Storytelling Strategies – a follow-up bit on storytelling best practices
• Could ‘Pink Slime’ Be Rebranded? – a comment from me on what “slimed” companies should do
• From Values to Action – a post relaying what I learned about values-based leadership from Kellogg professor Harry Kreamer
• Hip Help – a bit about how Help Remedies is turning drug marketing on its head
• Mary-Ann Somers on Coca-Cola’s New Ventures  — an interview about the work of Coke’s Venturing and Emerging Brands business unit

brand communications:

• Burger King Enlists Celebs to Call Attention To New Menu That McD’s Already Has — a quote of mine about how Burger King seems to be copying others, instead of leapfrogging them
• McCabe on Advertising – a bit about how Ed McCabe used an iconoclastic approach to etch into our brains Volvo’s brand identity

restaurants and retail:

• Make Your Ethnic Concept a Familiar Favorite – my latest QSR Magazine column about introducing an unfamiliar concept
• Five P’s to a Priceless CE Retail Experience – a guest post on CEA’s Digital Dialogue about how to combat the showrooming effect
• Fast Food Line-Up – a bit comparing brand perceptions and tagline recall for Burger King, Wendy’s, and Taco Bell
• Brand Experience Briefs:  video briefings of my insights and analysis of a Chipotle-inspired pizza concept, Pie-ology, and the LEGO store

Now…onward to May!

(Here’s my newest Brand Experience Brief — insights and analysis from my audits of new and interesting retail or restaurant concepts.)

It’s always interesting to see how product companies create retail experiences for their brands.  That’s why I’m eager to share my download on the LEGO store.  It’s a solid experience for the LEGO brand, but they missed some opportunities to make it even more engaging.  Take a look and let me know if you agree:

other brand experience briefs:

• Pie-o-logy
• uniqlo
• 77kids

Hi folks!  Trying a new feature this year — a monthly round-up of my published content.

It’s a mental buffet of ideas that may seem schizophrenic at times (I do work on fast food restaurants as well as fitness brands, after all!), but it’s all in the service of helping companies understand and apply the “brand as business” management approach.  Enjoy!

retail and restaurants:

• 12 truths to guide retailing in 2012 – a slideshow success in retail from speakers at NRF’s Retail BIG Show in 2012
• Vickie Achee on the Grand Retail Experiment at Patagonia – an interview with the head of Patagonia’s retail marketing
• Brand Experience Brief: Patagonia’s Tin Shed – photos and notes from my audit of the new concept
• Killing Retail Giants – guest post by Stephen Denny, author of Killing Giants: 10 Strategies to Topple the Goliath in Your Industry.
• New Retail Opportunities – my post on Stephen Denny’s blog
• Picking a Marketing Firm for Your Company – advice from my QSR Magazine column
• J C Penney to Revise Pricing Methods and Limit Promotions – quote in New York Times article
• Is J C Penney Stuck with Stores? — the thoughts behind my NY Times quote
• How Wendy’s Found Itself, Slipped Past BK Into No. 2 Spot – quote in Advertising Age

digital health and fitness:

• Digital Health and Fitness at CES 2012 – video recap of highlights from CES
• Will 2012 Be Like 1984? – a bit inspired by the 3D TV hullabaloo at CES
• Digital Device Manifesto – a call to arms to get and keep the industry’s focus on the user
• Crossing the Health & Fitness Tech Chasm – article published by CE Vision magazine
• Fitness Technology: It’s Not Just Entertainment – a write-up on the panel I moderated at CES’s Fitness Tech Summit

other brand-building topics:

• Brands to Watch in 2012 – my prediction of brands that will make headlines this year
• Brands to Watch – a brand as business brief (e-newsletter) highlighting another brand to watch in 2012
• Lesson from Kodak – a bit about companies shedding their legacies and reinventing themselves
• Differentiation through Specialization – a bit about how to differentiate
• Brand-building for Small Businesses – an excerpt from the course I taught for Marketing Profs University, “Why Small Businesses Need Brands and How to Build Them”
• Learning at Lego – a bit about using anthropological research methods to understand users
• Sam Palmisano’s Legacy: Teaching a Giant to Run – a bit about Palmisano’s four question framework

brand as business bit:  Businessweek’s piece on Lego‘s attempts to crack the girl code describes how the company used anthropological research methods to understand its users:

“You could say a worn-out sneaker saved Lego. ‘We asked an 11-year-old German boy, ‘what is your favorite possession?’ And he pointed to his shoes. But it wasn’t the brand of shoe that made them special,’ says Holm, who heads up the Lego Concept Lab, its internal skunkworks. ‘When we asked him why these were so important to him, he showed us how they were worn on the side and bottom, and explained that his friends could tell from how they were worn down that he had mastered a certain style of riding, even a specific trick.’

“Lego saw it had drawn the wrong lessons from computer games. Instead of focusing on their immediacy, the company now noticed how kids responded to the scoring, ranking, and levels of play—opportunities to demonstrate mastery.”

“Encouraged by what it had learned about boys, Lego sent its team back out to scrutinize girls…Beauty, on the face of it, is an unsurprising virtue for a girl-friendly toy, but based on the ways girls played, [researcher] Groth says, it came, as ‘mastery’ had for boys, to stand for fairly specific needs: harmony (a pleasing, everything-in-its-right-place sense of order); friendlier colors; and a high level of detail.”

Designing research to include observation (in addition to asking) and examination of artifacts (like old sneakers) allows you to get beneath the surface, understand the why behind behaviors and attitudes, and uncover rich insights that enable you to really connect with people.

The development and management of a corporate brand is often a stumbling block for companies.  the same business leaders who understand the role of brand when it comes to products, grapple with applying it to the corporation.

Thankfully the brilliant international business school professors Mary Jo Hatch and Majken Schultz have provided some help. Their latest book, Taking Brand Initiative, serves as a culmination of the decade-long research and analysis they’ve conducted on corporate brands.

A particularly useful framework from the book relates to assessing the strength of a corporate brand by determining whether or not there are “Vision-Culture-Image” gaps.  They define Vision as top management’s aspirations for the company; Culture, the organization’s values, behaviors, and attitudes; and Image, the outside world’s overall impression of the company.

By identifying where gaps may lie, companies are in a better position to develop strategies that develop their corporate brands into assets for competitive advantage.  There are some other great tools and frameworks in the book as well as examples from companies like LEGO, Intel, Nissan, and Johnson & Johnson.

I hope those of you who employ a corporate brand approach in your brand portfolios find the book helpful.